Coffee & Cannabis Diaries – Entry #1: The Cold, Hard Facts About Cliches, Tropes, and Plot Conventions

Don’t forget to check out the Midnight Dreamscapes blog – which Clint just got looking nice and new and shiny for us – to read new posts from both Clint and I! I will be posting regularly on both platforms.

The latest episode of Coffee & Cannabis.

Another Wednesday, another episode of Coffee & Cannabis.

Another day where Clintimus Maximus and I discover how to push each other’s buttons by being our silly selves, ask each other questions that strike a chord, inspire one another, and then realize we’ve gone overtime on the episode. Classic.

In all seriousness though, today’s topic of discussion was cliches, tropes, and plot conventions – concepts that most people are familiar with barring those who live under a rock. Not to disparage those who find it difficult to identify cliches, tropes, or conventions either – or those who struggle to gauge when a balance is struck between convention and subversion. As a writer, these are things I continue to wrestle with constantly.

But how do you actively avoid cliches or prevent characters from fulfilling age-old tropes…? Sometimes, the answer is that you simply can’t avoid it.

For me, it all depends on what kind of story I’m trying to tell.

Clint and I chose to focus on comic books today (big surprise, I know). With that, we were able to briefly touch upon cliches, tropes, and narrative conventions within superhero comics specifically.

Of course, one thing we left out – and something I intend to bring up next time we discuss comics in particular – is the concept of ‘fridging’ female characters in an attempt to provide leading male characters with deeper pathos and motivation. Alexandra DeWitt, girlfriend to Kyle Rayner/Green Lantern IV, was very unceremoniously “fridged” in the now infamous storyline from the Green Lantern comics of the 90s.

Stuffed into the Fridge - TV Tropes
Kyle Rayner discovers Alexandra DeWitt in his refrigerator, courtesy of the villain Major Force.

There are plenty of other examples to go around, too.

In 1999, Gail Simone, well-known among comic book fans as the writer of the OG Birds of Prey series (among many other excellent series’ she’s written for), published a list of all the characters she deemed “women in refrigerators”; Alexandra DeWitt was the impetus. I’d give it a gander if you’re at all curious or want to be more aware of these things; I think it’s important – particularly if we want to strive for a society in which patriarchy is far from the be-all-end-all.

And I mean, seriously, ever since learning about the term “fridging,” I’ve noticed that this narrative device pops up a lot more than you’d think – even today…

Vormir/Gallery | Marvel Cinematic Universe Wiki | Fandom
Gamora (Zoe Saldana) in Marvel Studios’ Infinity War (2018).

Anyway, that’s all for now. Just something to think about.

Now, off to continue/finish reading Ian McEwan’s Solar (2010) for the “Narratives of Climate Change” course I’m currently taking to finish off my MA.

While I’m doing that, you – yeah, you there, with the face and stuff – listen to this song – you won’t regret it (you might):

“I am a frog – a frog with a dream: 1) to be human, 2) and have a job.”

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